Thomas Cole: A Visual Environmentalist  - DOMA Insider (2024)

Image: Thomas Cole, England, NY (1801-1848), about 1825-1827, oil on canvas, 23 x 31 1/4 in. (58.42 x 79.38 cm), Purchase: Frank C. Ball Collection, gift of the Ball Brothers Foundation, 1995.035.055

Written by Hannah Schneider, DOMA Guard, Guest Contributor & DOMA Representative on the Dean’s Student Advisory Council

Thomas Cole was one of first environmentalists and proto-environmental (conservationist) artists in the United States. Some of his ideas come from the notions that God’s divine presence embodied nature and that America’s wilderness was central to the nation’s identity. He sought to express the glory of the American landscape through the European concept of romanticism. According to the Art Story, he was the very first artist to apply motifs and techniques from European Romantic landscape painting to North American scenery.

DOMA’s extensive collection displays a painting called Storm King of the Hudson (1825-1827), created by Thomas Cole. Given Cole’s history and interests, it seems this painting was a precursor to his later works that focused on environmentalism.

For example, his piece The View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836) also known as “The Oxbow,” cultivates a perspective of “untamed wilderness” versus “pastoral settlement,” according to the Metropolitan Museum of Art. A MET podcast refers to the painting as “one of the most iconic landscapes painted by an American artist.”

The left side of this painting depicts a storm with showers of rain. It includes “weather-blasted trunks” in the bottom left corner, symbolizing the raw power of nature itself. The vegetation is a lush green and overgrown.

In contrast, the right side of this painting shows nature tamed through agriculture and farmland. There are crops, fires, and settlements. Thomas Cole himself is in this piece, near the middle and bottom, and looks directly at the viewer as if to ask them to reflect on their own thoughts of this transformation of nature. The MET podcast states that “…the staying power of this painting provides vivid proof that art is a key player in helping us understand our history, our ecology, our environmental relations.”

In comparison, Thomas Cole’s Storm King of the Hudson (1825-1827) expresses a similar stormy side of nature with its wild inherent character. The trees are blowing in the turbulent wind as the sun’s rays peak out behind massive dark clouds. The vegetation is green, and the water is a brilliant blue. It may be another stormy depiction, but there’s a perspective of raw nature and the beauty in untouched nature. The two sides of the valley frame the island and water into direct view of the audience giving them a chance to reflect in nature.

In today’s world, conservation efforts can range from native replanting, climate change initiatives, and more. Whether it’s providing clean water or restoring nature landscape, looking at Storm King of the Hudson (1825-1827) allows viewers an opportunity of self-reflection in their own communities’ efforts for conservation and environmentalism. Nature is an unpredictable wonder that leaves the viewers in awe of its untamed beauty.

For more information on sustainability efforts from Ball State University and Muncie, Indiana, check out two links here:

As always, thank you for reading the DOMA Insider! DOMA is free and open to the public; we are open Tuesday – Friday 9:00 a.m. – 4:30 p.m., and Saturday from 1:30 p.m. – 4:30 p.m. Check out our website at https://www.bsu.edu/doma.

Sources:
Thomas Cole: A Visual Environmentalist  - DOMA Insider (2024)

FAQs

Why was Cole considered an environmentalist artist? ›

Thomas Cole was one of first environmentalists and proto-environmental (conservationist) artists in the United States. Some of his ideas come from the notions that God's divine presence embodied nature and that America's wilderness was central to the nation's identity.

Was Thomas Cole against Manifest Destiny? ›

Yet within a few years, Cole was all but forgotten. And the colonizing of Nature he so hated — hyped as Manifest Destiny — was being cheered on by artists who claimed to revere him, Durand among them. Politically, Cole's art is conservative, but it's also work that challenges and complicates that term.

What was the subject matter of Thomas Cole's work? ›

Thomas Cole was the first of the Hudson River School of painters, often characterized as being the first native American school of painting. Though devoted to the study of nature, and usually thought of as a landscape artist, moralistic and religious themes were central to Cole's paintings.

What was Thomas Cole best known for? ›

Thomas Cole (1801-1848) was an American artist and early environmentalist. Cole founded the first major art movement of the United States, now known as the Hudson River School of landscape painting.

Who is the most famous environmentalist and why? ›

Medha Patkar: Medha Patkar, one of India's most well known female environmentalists is the woman behind the “Narmada Bachao Aandolan”.

Was Thomas Cole religious? ›

Thomas Cole believed landscape paintings could impart moral and religious values. Although he achieved considerable success from his straightforward depictions of American scenery, his greater ambition was to convey the word of God through sublime landscapes.

What is the legacy of Thomas Cole? ›

Cole helped found the National Academy of Design in 1825, traveled the world, sold lots of works, made lots of money, and settled into his home in Catskill. Today, Cole is acknowledged as the father of the Hudson River School of art.

In what ways does Cole's work symbolize America? ›

Cole sought to represent the sublime grandeur of the American landscape. The painting represents his conflicted feelings over the inevitable loss of wilderness that accompanied economic development. Cole was one of the first environmentalists.

What was Thomas Cole's quote? ›

How lovely are the portals of the night, when stars come out to watch the daylight die. None know how often the hand of God is seen in a wilderness but them that rove it for a man's life.

What techniques did Thomas Cole use? ›

Chiaroscuro. Italian for "clear-dark." Chiaroscuro is a painting technique in which the artist contrasts light and dark in order to create a sense of depth and volume. This use of intense shadowing also renders a painting more dramatic and suspenseful, as in Cole's The Course of Empire: Destruction (1836).

How does Cole argue for the importance of nature in the United States? ›

It is a subject that to every American ought to be of surpassing interest; for whether he beholds the Hudson mingling its waters with the Atlantic, explores the central wilds of this vast continent, or stands on the margin of the distant Pacific, he is still in the midst of American scenery—it is his own land; its ...

What is an environmentalist artist? ›

The answer is environmental art, a movement adopted by artists of different disciplines, who are inspired by nature or use it as a raw material, transmitting its beauty and encouraging us to take care of it. Environmental art forces us to think about the consequences of our behaviour on the planet.

Who was an environmentalist as well as an American photographer? ›

This Ansel Adams biography was published by Oxford University Press for its American National Biography. Adams, Ansel (Feb. 20 1902 — Apr. 22, 1984), photographer and environmentalist, was born in San Francisco, California, the son of Charles Hitchco*ck Adams, a businessman, and Olive Bray.

Who were the first environmental artists? ›

Agnes Denes - The Pioneer of Environmental Art Movement

A trailblazer of the early environmental art movements, Denes is interested in humans' perception of natural cycles and stewardship. Without any doubt, her most famous environmental art project is Wheatfield, a Confrontation from 1982.

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